The Ludicrous Lusitania

The Proper Ganderlikes this

Gaia has an interesting thread over at POM. #HRDPAR have been occurring for a long time. Before planes, they used ships – the main transportation mode of the rich and famous, who are used to garner attention.

As promised and mentioned in my introduction, I would like to treat 3 stories, narratives, -or rather plots- that caught my attention in recent months. The 3 peculiar plots, as I think is an appropriate title for the series, are related in a way, have similar features and were all happening in the same time frame; the early 20th century; pre-WWII. Part 1 in this series is about the first plot, a strange story indeed, and though not as well known with the general public (especially outside of the US) as s

Source: Peculiar Plots – Part 1 – The Ludicrous Lusitania – Piece of Mindful

One thought on “The Ludicrous Lusitania

  1. smj

    The narrative says Windsor mccay’s lusitania war mongering animation still survives; but unfortunately another father of political animation’s effort get Argentina into the Great War cause of sunken ships has been lost sin rastros sotospeak.

    en.m.wikipedia.org…
    en.m.wikipedia.org…

    “In 1918, the German commander in Argentina, Baron von Luxburg, decided to manipulate Argentina into joining World War I on its side by sinking an Argentine ship and blaming the act on the Entente. The tales of the survivors of the incident led nearly everyone to realize what really happened, but Yrigoyen swung his political weight to cover the incident up, out of fear that Argentina might be pushed into the war as an enemy of Germany, an outcome he feared just as much as a German alliance.
    Cristiani saw the incident as the perfect opportunity, and with a new set of producers created the world’s second feature-length animated film, Sin dejar rastros in 1918. The title (Leaving No Trace) was a reference to von Luxburg’s supposed order to the German U-boat captain who sank the ship. President Yrigoyen felt he had no choice but to order the Ministry of Foreign Affairs to confiscate the film the day after it premiered. In doing this, the Radical showed himself little better than the repressive Conservative presidents he had replaced. On the other hand, Cristiani was not imprisoned and spent the next several years creating political cartoons and caricatures for the newspapers. Two other animated features were put out at this time by Andrés Ducaud, the man who designed the fire effects in El Apóstol.”
    en.m.wikipedia.org…

    “In the summer of 1917, Luxburg sent secret dispatches to Berlin through the Swedish legation via Stockholm, which were made public by United States Secretary of State Robert Lansing. These dispatches urged that certain neutral Argentine ships should be “spurlos versenkt” — destroyed without a trace. The publication of the documents resulted in the dismissal of Count Luxburg from Argentina, and the virtual entrance of Argentina into the war. Luxburg was also Minister to Uruguay, and on his dismissal from Argentina, he asked for a passport to Montevideo instead of to Berlin.”
    en.m.wikipedia.org…

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