9/11 Narrative
The term Narrative management describes all required means and instances for the design, the implementation, the evaluation and adjustment of a psyop. Depending on the aims, the technical requirements and the military methods needed for of a psyop, the narrative management can be modest or complex. Historical example: The major worldwide radio broadcasts to combat communism through Radio Free Europe and Radio Liberty during the cold war.
The official narrative of a psyop is only one part of the narrative management, namely that one, which is aimed to be established as the "truth" about the deceptive event or series of events that took place. No less important though for the maintenance of the official story, is the design and implementation of various alternative interpretations.
These alternative interpretations perform multiple functions within the concept of psyops. They do e.g. misdirect the discourse by offering disinformation or misinformation; or they offer "good information" about secondary aspects of the plot, that direct the research away from the main deceptive content. Such interpretations are often called controlled opposition, a term which is in itself part of the concept of psyops, as it originates from the theory and praxis of the military intelligence apparatus to seize the discourse of truth and to subject it under the logic of warfare.
For major psyops with far reaching consequences for the world, the hoax management commences its operations and designs the narrative management far before the psyop kicks off. And it continues its work for years or decades thereafter, with the objective to regulate criticism, which adresses the dispositif of power that underlies the deception. Regulation can mean laws, other instituitions or merchandisable productions which continue to advocate the false perception about the events.
The 9/11 "live Act"
The 9/11 psyop constitutes in every respect a historical turning point, as it depicts the culmination of all previous states of the art for psyops. The 9/11 psyop was the kickoff of a globally mediated military operation that changed the face of the world.
Although it is indisputable that the preparations for 9/11 must have lasted many years, we do not know with certainty when and by whom the strategic decisions were taken. But we have information in many forms, texts, photos, moving images, architectural elements etc., that do relate to the psyop 9/11 to a greater or lesser extent. In order to approach the material, we will distinguish between the period prior to 9/11 and after 9/11.
The event or acting out of 9/11, as it was presented to the public, was a simulated live media event with a simultaneous worldwide impact of unprecedented penetrative power. The techniques and the network which carried out that main act, the 9/11 performance have been analyzed in depth by September Clues, Clues Forum and Fakeologist.com. Their work, which builts the basis for our thoughts, are presented on the page 9/11 The Grand Deception.
On the current page we will concentrate on the periods prior and after the event trying to recover, what this material tells us about the conceptional time, the methods and media used for the preparational or conditioning period and the time after 9/11, which is the main period of the narrative management that continues till today.
Pre 9/11
For the persuation of a psyop it is of undiminishable importance that its core narrative can be “naturalized” by anyone without special knowledge of technology or theory of any kind. Regardless how complex, seductive, confusing or deceptive, all storytelling has to comply with the human perception of time which is irrevocably defined by birth, death and the life between. Human time is irreversible.
As 9/11 has become official part of the history school books and memorials for fictitious tragedies have gained the status of reality, it makes it no less obligatory than at the very moment of the event, to unroll the moebius pattern of its narrative, in order to regain a natural human perception about our historical moment.
Therefore it seems mandatory to question all available information and productions of the period prior to 9/11, in regard to their potency to "predict" or "prescript" parts of the psyOp 9/11. It is namely mandatory to determine, if 9/11 in fact had been envisioned and conceptualized three decades prior to the event. Or if to interpret the period prior to 9/11 as if it was a preparational period of time for the event, is in fact an effect of the psyop 9/11.
To attest the perpetrators of 9/11 that they had decided decades ago to built the towers in order to demolish them as part of a concept to controll the world is one question that has to be answered. Another is, to become able based on the artifacts avalable, to determine or at least estimate the point in time, when the decision was taken and the organizing started.
Post 9/11
- Special case of medium: Society
- Social groups of interest
- potential opposition
- academia
- critical "free" intelligenzia
- youth
- Which methods ?
- Which media are the lead media in the 3 time phases ?
- Is ousting from the academia a method to produce "managed opposition"? Barrett, Hall, Ganser, Others ?
- Is ousting from the News Network a method to produce "managed opposition"? Wisnewski, Others ?
Prescriptive programming 9/11
Year | Title | Comment | Info | 9/11 Narrative function |
---|---|---|---|---|
1953 | The Demolished Man | Novel, 1. Edition Cover Depicts "The Jumpers" | ||
1968 | May 2, Advert in New York Times Warns of WTC Danger, Shows Plane About to Strike One of the Towers | News coorp. New York Times | ||
1973 | The Tower | Novel by Richard Martin Stern | ||
1977 | Thirty Seconds Over New York | Novel by Robert Buchard | ||
1978 | The Medusa Touch | Cinema Movie - Based on the Novel The Medusa Touch by Peter Van Greenaway | ||
1979 | Meteor | Cinema Movie | ||
1979 | Breakfast In America | LP, Supertramp | ||
1982 | November 7, Port Authority Practices for Plane Crashing into the WTC | History Commons | ||
1983 | Trading Places | Cinema Movie | ||
1985 | Back to the Future | Cinema movie | ||
1986 | Die Hard | Cinema movie | ||
1993 | March 29, Former Port Authority Director Recommends that New York Agencies Prepare for a Plane Hitting the WTC | History Commons | ||
1996 | The Big Lebowski | Cinema movie | ||
1996 | Independence Day | Cinema movie | ||
1997 | Path To Paradise. The Untold Story of the World Trade Center Bombing. | Docudrama | ||
1997 | The Simpsons | Cinema movie | ||
1998 | Armageddon | Cinema movie | ||
1999 | The Matrix | Cinema movie | ||
2000 | Traffic | Cinema movie | ||
2001-03 | The Lone Gunman | Cinema movie |
Post programming 9/11
Narrative management in other psyops
Year | Title | Referencing event | Notes |
---|---|---|---|
1990 | The Simpsons | 3-eyed fish Nuclear power plant, Nuclear threat | [1] |
1993 | The Simpsons | Tiger attack, Las Vegas (2003) | [1] |
1994 | The Simpsons | Average Joe Astronot (2010), Oliver Knight (2013) | [1] |
1995 | The Simpsons | Ebola medical scare (2014) | [1][MSM 1] |
1998 | The Simpsons | God particle (2012) | [MSM 1] |
1999 | The Simpsons | Nuclear power plant, Nuclear threat, Fukushima disaster (2011) | [1] |
2005 | Family Guy | Kevin Spacey scandal (2017) | [2] |
2007 | The Simpsons | NSA spying, Edward Snowden release through Wikileaks (2013) | [1][MSM 1] |
2009 | Knowing | Deepwater Horizon oil spill (2010) | |
2012 | Family Guy | Death Robin Williams (2014) | [2] |
2012 | Family Guy | Bruce Jenner (2015) | [2] |
2012 | The Simpsons | Debt default Greece (2015) | [MSM 1] |
2013 | Family Guy | Boston Bombings (2013) | [2] |
2013 | Family Guy | Death Paul Walker (2013), 6 days later | [2] |
2014 | The Simpsons | FIFA scandal (2015) | [1][MSM 1] |
See also
References
Fakeologist
Cluesforum