Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart
picture
Type 1	myth creation
Type 2	DCP
Years	1756	1791
Dates	01/27	12/05
Place	Salzburg, Austrian Empire
Perps (italic is official story)	Sudden illness after completing Freemasons Cantata K. 623
Information
Fakeologist
Other

Baptised Johannes Chrysostomus Wolfgangus Theophilus Mozart, a so-called genius prolific influential composer's birth. Most probably just an actor for a group of composers using this actor.

Official story

27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era. Born in Salzburg, he showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.

Wikipedia

Analysis

• Mozart and Freemasonry
• Interview with Robert Newman on Fakeologist Radio 2013-09-21.

Gaia

• While Wolfgang was young, his family made several European journeys in which he and Nannerl performed as child prodigies.

• with which money??

• The family trips were often difficult, and travel conditions were primitive. They had to wait for invitations and reimbursement from the nobility, and they endured long, near-fatal illnesses far from home: first Leopold (London, summer 1764), then both children (The Hague, autumn 1765).

• "endured long near-fatal illnesses" do not really combine well with a grand tour through Europe, where many performances need to be done. They however do combine well with excuses to just have some heavily propagandised performances and boosting the exclusivity of "seeing Mozart live"...

• In Rome, he heard Gregorio Allegri's Miserere twice in performance, in the Sistine Chapel, and wrote it out from memory, thus producing the first unauthorized copy of this closely guarded property of the Vatican.

• even if this were true, the Vatican would never allow such a thing to happen from a nono from Austria...
• of course this is not true at all, knowing what we know from the arguments and research set forth in the below video series

• Between April and December 1775, Mozart developed an enthusiasm for violin concertos, producing a series of five (the only ones he ever wrote), which steadily increased in their musical sophistication. The last three—K. 216, K. 218, K. 219—are now staples of the repertoire. In 1776, he turned his efforts to piano concertos, culminating in the E-flat concerto K. 271 of early 1777, considered by critics to be a breakthrough work.

• it doesn't make sense a pianist would be suddenly also an expert on violin concertos and then suddenly only produce 5 of them, which stands in big contrast with the alleged volume of compositions "Mozart" made.

• Two long expeditions in search of work interrupted this long Salzburg stay. Mozart and his father visited Vienna from 14 July to 26 September 1773, and Munich from 6 December 1774 to March 1775. Neither visit was successful, though the Munich journey resulted in a popular success with the premiere of Mozart's opera La finta giardiniera.

• typical schizophrenic Wiki writing; contradicting the content in the same sentence. If "neither visit" was "successful", then also there would be no "popular success"...

• Mozart became acquainted with members of the famous orchestra in Mannheim, the best in Europe at the time. [...] There were prospects of employment in Mannheim, but they came to nothing, and Mozart left for Paris on 14 March 1778 to continue his search. One of his letters from Paris hints at a possible post as an organist at Versailles, but Mozart was not interested in such an appointment. He fell into debt and took to pawning valuables.

• doesn't make ANY sense this bullshit. If he, the so-called Wunderkind as he is presented would be acquainted with a famous orchestra in the best city in Europe and there would be prospects of employing this Wunderkind, why would it come to nothing? Maybe because Mozart was a fraud and not a Wunderkind...?
• next sentence again nonsense; he was allegedly in need of money but was not interested in an organist position in FFS Versailles?
• this whole air of "poor kid, struggling, great artist/famous person" is throughout many famous people in history. They like to script write these "poverty" and "rising to big stardom" combinations to falsely show that merit is important in this world. Merit is of no importance to those Elites, it is all family-related, secret societies and propaganda-parroting that is loved, merit is not the deal.
• The article says that "Mozart in 1784 became a Freemason", but the painting (which is an alleged "copy" of a "lost original"-> big red flag for fakery) is from 1770/1777 respectively and shows Mozart with the infamous hand-in-pocket as is a sign of Freemasonry. Why would a non-Freemason, allegedly at that point in time, pose for a painting as a Freemason?

• In 1787, the young Ludwig van Beethoven spent several weeks in Vienna, hoping to study with Mozart. No reliable records survive to indicate whether the two composers ever met.

• this is insane. Beethoven also was a Freemason later in life and the idea that Mozart (if he were indeed the gifted composer and performer as he has been made after his death) and Beethoven would NOT meet is ridiculous.

• Toward the end of the decade, Mozart's circumstances worsened. Around 1786 he had ceased to appear frequently in public concerts, and his income shrank. This was a difficult time for musicians in Vienna because of the Austro-Turkish War: both the general level of prosperity and the ability of the aristocracy to support music had declined.

• why would the "never seen before prodigy child divinely gifted" performer not play publically anymore? Maybe because he was a fraud?
• it is nonsense that a war prevents people from pushing entertainment as that is one of the things that is used to divert attention away, today and also in the 18th century

• Mozart was nursed in his final illness by his wife and her youngest sister, and was attended by the family doctor, Thomas Franz Closset. He was mentally occupied with the task of finishing his Requiem, but the evidence that he actually dictated passages to his student Franz Xaver Süssmayr is minimal.

• the last sentence is typical damage control by mainstream pushers; there is evidence that he dictated passages, or that his "student" wrote them, but it is downplayed to keep the Mozart Myth alive...

• The cause of Mozart's death cannot be known with certainty. The official record has it as hitziges Frieselfieber ("severe military fever", referring to a rash that looks like millet seeds), more a description of the symptoms than a diagnosis. Researchers have posited at least 118 causes of death, including acute rheumatic fever, streptococcal infection, trichinosis, influenza, mercury poisoning, and a rare kidney ailment.

• 118 causes of death?? One more is that it was hoaxed as he was an invented "prodigy child", an actor played by several people at the same time (as has been done later with the Beatles and other "entertainers", and it makes 119!
• The so-called most gifted musical person of all time but his cause of death would be so unknown and mysterious...? Sure!!
• Note also the "posthumous painting" next to the section of 28 years later, i.e. based on nothing but the fantasy Mozart as a person was.

• Mozart lived at the center of the Viennese musical world, and knew a great number and variety of people: fellow musicians, theatrical performers, fellow Salzburgers, and aristocrats, including some acquaintance with the Emperor Joseph II. Solomon considers his three closest friends to have been Gottfried von Jacquin, Count August Hatzfeld, and Sigmund Barisani; others included his older colleague Joseph Haydn, singers Franz Xaver Gerl and Benedikt Schack, and the horn player Joseph Leutgeb. Leutgeb and Mozart carried on a curious kind of friendly mockery, often with Leutgeb as the butt of Mozart's practical jokes. He enjoyed billiards and dancing, and kept pets: a canary, a starling, a dog, and a horse for recreational riding.

• it would be ridiculous to assume that someone allegedly that gifted and surrounded by the "biggest" and most powerful aristocrats of the time would live in poverty. Absolutely not; those who have those acquaintances have, just like now, shitloads of money or... are fake.
• keeping pets, a canary, a starling, a dog and a horse (!) are expensive, especially the horse. Someone who is capable of keeping them (and having cared for them when traveling -which also costs a lot of money-) cannot be poor, less so in the 18th century...

• He often made sketches and drafts; unlike Beethoven's these are mostly not preserved, as his wife sought to destroy them after his death.

• Whut? Why would his wife do that? She lost her income, having no husband anymore, and he was already "poor" according to the story, so every florin gained would be welcome. They say in the article that "his" compositions gained a lot of attention and value after his "death" (think "John Lennon", "Elvis Presley", "Michael Jackson", "Prince" and so many of those clowns) so his wife could -if they were really his sketches- have sold those for a lot of money and -finally- have a decent income...
• None of this bullshit makes sense.

See also

• List of psyops