9/11 Narrative: Difference between revisions
No edit summary |
No edit summary |
||
Line 3: | Line 3: | ||
The official '''narrative''' of a psyop is only one part of the '''narrative management''', namely that one, which is aimed to be established as the "truth" about the deceptive event or series of events that took place. No less important though for the '''maintenance''' of the official story, is the design and implementation of various '''alternative interpretations'''.<br> | The official '''narrative''' of a psyop is only one part of the '''narrative management''', namely that one, which is aimed to be established as the "truth" about the deceptive event or series of events that took place. No less important though for the '''maintenance''' of the official story, is the design and implementation of various '''alternative interpretations'''.<br> | ||
These alternative interpretations perform multiple functions within the concept of psyops. They do e.g. '''[https://en.wikipedia.org/wiki/Misdirection_(magic) misdirect]''' the discourse by offering '''[https://en.wikipedia.org/wiki/Disinformation disinformation]''' or '''misinformation'''; or they offer "good information" about | These alternative interpretations perform multiple functions within the concept of psyops. They do e.g. '''[https://en.wikipedia.org/wiki/Misdirection_(magic) misdirect]''' the discourse by offering '''[https://en.wikipedia.org/wiki/Disinformation disinformation]''' or '''misinformation'''; or they offer "good information" about secondary aspects of the [https://en.wikipedia.org/wiki/Plot_(narrative) plot], that direct the research away from the main deceptive content. Such interpretations are often called ''[http://www.aamorris.net/properganderatpropaganda/2015/12/8/the-shill controlled opposition]'', a term which is in itself part of the concept of psyops, as it originates from the theory and praxis of the military intelligence apparatus to seize the discourse of truth and to subject it under the logic of warfare.<br> | ||
For major psyops with far reaching consequences for the real world, the '''narrative management''' begins long before a '''psyop''' kicks off and it continues for years or decades thereafter, so that any '''criticism''' which adresses the [https://en.wikipedia.org/wiki/Dispositif '''dispositif of power'''] can be managed by laws and other instituitions as well as by merchandisable productions. | For major psyops with far reaching consequences for the real world, the '''narrative management''' begins long before a '''psyop''' kicks off and it continues for years or decades thereafter, so that any '''criticism''' which adresses the [https://en.wikipedia.org/wiki/Dispositif '''dispositif of power'''] can be managed by laws and other instituitions as well as by merchandisable productions. | ||
= 9/11 | = Pre and Post 9/11 = | ||
The '''9/11''' '''psyop''' constitutes in every respect a historical turning point, as it depicts a culmination of all previous ''states of the art'' for psyops. The '''9/11''' '''psyop''' was the kickoff of a globally mediated military operation that changed the face of the world.<br> | The '''9/11''' '''psyop''' constitutes in every respect a historical turning point, as it depicts a culmination of all previous ''states of the art'' for psyops. The '''9/11''' '''psyop''' was the kickoff of a globally mediated military operation that changed the face of the world.<br> | ||
Although it is indisputable that the preparations for '''9/11''' must have taken many years, we do not when and by whom the strategic decision was taken. But we have information in many forms, texts, photos, moving images, that do have a relation to the '''psyop 9/11'''. In order to approach the material, we will distinguish between the period prior to '''9/11''' and after '''9/11'''. The event itsself, as it was presented to the public, was a live event with simultaneous worldwide impact and as such it constitutes the ''' | Although it is indisputable that the preparations for '''9/11''' must have taken many years, we do not when and by whom the strategic decision was taken. But we have information in many forms, texts, photos, moving images, that do have a relation to the '''psyop 9/11'''. In order to approach the material, we will distinguish between the period prior to '''9/11''' and after '''9/11'''. The event itsself, as it was presented to the public, was a live event with simultaneous worldwide impact and as such it constitutes the main act of the 9/11 '''performance'''. The analysis of [https://septemberclues.info/power_of_imagery.shtml September Clues] and [http://www.cluesforum.info/viewforum.php?f=17 Clues Forum] has undertaken a distiguished analysis of that part of which builts the basis for our thoughts and which is presented on the page the '''[[9/11]]''' The Grand Deception. On the current page we will concentrate on the periods prior to the event and after the event. | ||
* '''Media:''' TV (which networks, how are they interconnected, what pipelines for oversees, europe,... ?), cinema (which concrete networks? Producers etc.), literature (some payed authors?..), theater, art (Stähle, others?..), etc. | * '''Media:''' TV (which networks, how are they interconnected, what pipelines for oversees, europe,... ?), cinema (which concrete networks? Producers etc.), literature (some payed authors?..), theater, art (Stähle, others?..), etc. |
Revision as of 11:13, 1 January 2018
The term Narrative management describes all required means and instances for the design, the implementation, the evaluation and adjustment of a psyop. Depending on the aims, the technical requirements and the military methods needed for of a psyop, the narrative management and the can be modest or complex. Historical example: The major worldwide radio broadcasts to combat communism through Radio Free Europe and Radio Liberty during the cold war.
The official narrative of a psyop is only one part of the narrative management, namely that one, which is aimed to be established as the "truth" about the deceptive event or series of events that took place. No less important though for the maintenance of the official story, is the design and implementation of various alternative interpretations.
These alternative interpretations perform multiple functions within the concept of psyops. They do e.g. misdirect the discourse by offering disinformation or misinformation; or they offer "good information" about secondary aspects of the plot, that direct the research away from the main deceptive content. Such interpretations are often called controlled opposition, a term which is in itself part of the concept of psyops, as it originates from the theory and praxis of the military intelligence apparatus to seize the discourse of truth and to subject it under the logic of warfare.
For major psyops with far reaching consequences for the real world, the narrative management begins long before a psyop kicks off and it continues for years or decades thereafter, so that any criticism which adresses the dispositif of power can be managed by laws and other instituitions as well as by merchandisable productions.
Pre and Post 9/11
The 9/11 psyop constitutes in every respect a historical turning point, as it depicts a culmination of all previous states of the art for psyops. The 9/11 psyop was the kickoff of a globally mediated military operation that changed the face of the world.
Although it is indisputable that the preparations for 9/11 must have taken many years, we do not when and by whom the strategic decision was taken. But we have information in many forms, texts, photos, moving images, that do have a relation to the psyop 9/11. In order to approach the material, we will distinguish between the period prior to 9/11 and after 9/11. The event itsself, as it was presented to the public, was a live event with simultaneous worldwide impact and as such it constitutes the main act of the 9/11 performance. The analysis of September Clues and Clues Forum has undertaken a distiguished analysis of that part of which builts the basis for our thoughts and which is presented on the page the 9/11 The Grand Deception. On the current page we will concentrate on the periods prior to the event and after the event.
- Media: TV (which networks, how are they interconnected, what pipelines for oversees, europe,... ?), cinema (which concrete networks? Producers etc.), literature (some payed authors?..), theater, art (Stähle, others?..), etc.
- Special case of medium (needs other methods to control): Society
- Social groups of interest
- potential opposition
- academia
- critical "free" intelligenzia
- youth
- Which methods ?
- Which media are the lead media in the 3 time phases ?
- Is ousting from the academia a method to produce "managed opposition"? Barrett, Hall, Ganser, Others ?
- Is ousting from the News Network a method to produce "managed opposition"? Wisnewski, Others ?
Prescriptive programming 9/11
Year | Title | Comment | Info | 9/11 Narrative function |
---|---|---|---|---|
1953 | The Demolished Man | Novel, 1. Edition Cover Depicts "The Jumpers" | ||
1968 | May 2, Advert in New York Times Warns of WTC Danger, Shows Plane About to Strike One of the Towers | News coorp. New York Times | ||
1973 | The Tower | Novel by Richard Martin Stern | ||
1977 | Thirty Seconds Over New York | Novel by Robert Buchard | ||
1978 | The Medusa Touch | Cinema Movie - Based on the Novel The Medusa Touch by Peter Van Greenaway | ||
1979 | Meteor | Cinema Movie | ||
1979 | Breakfast In America | LP, Supertramp | ||
1982 | November 7, Port Authority Practices for Plane Crashing into the WTC | History Commons | ||
1983 | Trading Places | Cinema Movie | ||
1985 | Back to the Future | Cinema movie | ||
1986 | Die Hard | Cinema movie | ||
1993 | March 29, Former Port Authority Director Recommends that New York Agencies Prepare for a Plane Hitting the WTC | History Commons | ||
1996 | The Big Lebowski | Cinema movie | ||
1996 | Independence Day | Cinema movie | ||
1997 | Path To Paradise. The Untold Story of the World Trade Center Bombing. | Docudrama | ||
1997 | The Simpsons | Cinema movie | ||
1998 | Armageddon | Cinema movie | ||
1999 | The Matrix | Cinema movie | ||
2000 | Traffic | Cinema movie | ||
2001-03 | The Lone Gunman | Cinema movie |
Post programming 9/11
Narrative management in other psyops
Year | Title | Referencing event | Notes |
---|---|---|---|
1990 | The Simpsons | 3-eyed fish Nuclear power plant, Nuclear threat | [1] |
1993 | The Simpsons | Tiger attack, Las Vegas (2003) | [1] |
1994 | The Simpsons | Average Joe Astronot (2010), Oliver Knight (2013) | [1] |
1995 | The Simpsons | Ebola medical scare (2014) | [1][MSM 1] |
1998 | The Simpsons | God particle (2012) | [MSM 1] |
1999 | The Simpsons | Nuclear power plant, Nuclear threat, Fukushima disaster (2011) | [1] |
2005 | Family Guy | Kevin Spacey scandal (2017) | [2] |
2007 | The Simpsons | NSA spying, Edward Snowden release through Wikileaks (2013) | [1][MSM 1] |
2009 | Knowing | Deepwater Horizon oil spill (2010) | |
2012 | Family Guy | Death Robin Williams (2014) | [2] |
2012 | Family Guy | Bruce Jenner (2015) | [2] |
2012 | The Simpsons | Debt default Greece (2015) | [MSM 1] |
2013 | Family Guy | Boston Bombings (2013) | [2] |
2013 | Family Guy | Death Paul Walker (2013), 6 days later | [2] |
2014 | The Simpsons | FIFA scandal (2015) | [1][MSM 1] |
See also
References
Fakeologist
Cluesforum