911 Prep

All things 9/11
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rachel
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911 Prep

Post by rachel »

Found some interesting info which I'll copy here verbatim.

https://dutchtruther.blogspot.com/2015/ ... -twin.html
The Art Project in and around the WTC Twin Towers + VIDEO

Most of my followers on Twitter know of the detained Israeli on 9/11. Some cheering while they were documenting the event. Some were caught while driving around with vans full of explosives, fake passports, city maps and cash.

In 2001 up to 200 Israeli were detained, in an alleged Israeli Spy Ring. Some were following the alleged hijackers of 9/11.

This information is widely available. For example here;
  • US arrests 200 young Israeli
  • Door to Door with Mohamed Atta (German/ use Google Translate)
  • Banned Fox report on the Israeli 9/11
Now, what has Art has to do with it?

Except it was (or is) a perfect cover-up for the Israeli spies to enter and stay in the US, could there be another reason?

Well, there were a lot of explosions in the Towers during the event on 9/11. To wire a building with explosives you will need unlimited access for a period of weeks for preparation.

Surprisingly, one group indeed had access to the WTC, 7 days a week. And coincidentally, it were Art people just like the cover-up of the detained Israeli. The Art Group even made modifications to the building, by taking out windows for example. And surprisingly this was on the 91st floor, same as impact zone of the Boeing on 9/11.

The art group is called Eteam. They have done projects like this;

wtc1.jpg
wtc2.jpg

Maybe i am connecting dots which shouldn't be connected, but then againg the US Gov should open information on the detained and deported Israeli. Or just start a criminal investigation, 'cause that never happened...

So without further ado, the March 31st 2001 video of a Art group who had access to the WTC:



Thanks and credits to Mark Dotzler.


Here's the faketube version in case the above disappears.


If you've looked at the stuff I put up on here, you'll know I like proofs-of-concept, so here we have a helicopter taking pictures of people standing in the window space of one of the towers with the window removed. From this we have confirmation they had the scaling to recreate a fake version of people jumping out of the building.
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Re: 911 Prep

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some interesting grabs in that video.

They didn't remove the window, this is the plan.

photos.gif
photos.gif (1.97 MiB) Viewed 205 times

As the helicopter comes around the corner the pilot says he sees the light. Which begs the question, if the building is occupied, shouldn't there be many lights?

light.gif
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Floor 91, it's not clear from this picture, but that is the window they are standing at, we see maybe the ceiling lights from the inside shot, but there is an absence of any other lights elsewhere.

window1.jpg
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Re: 911 Prep

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We can see the light areas are curtains, and we can make out the same white on other floors, so probably what we are seeing here replicated. The arrow is pointing at the person standing in the window.

window2.jpg

But if we look inside what are we actually seeing?

inside1.jpg
inside2.jpg

Confirmation of the curtains which might be used to defuse lights of a night to make it look like there are people on this floor. But we don't see a ceiling and the lights are on what looks like a rig. I wonder if behind the white boards is a drop?
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Re: 911 Prep

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For a while now, I've fancied the towers were a variation on this design, where there might be a set of floors at particular levels.

0c25d38c0a7718aa6c8d590137b063fd.jpg

A floor only encircles the perimeter of the first stage of the Eiffel Tower.

Eiffel Tower section.jpg

Looking at this design, there are four platform areas, three accessible to visitors.

h1zovms4rcw51.jpg
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Re: 911 Prep

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SaiGirl wrote: Fri Sep 18, 2020 1:08 pm A new resource for deconstructing "The Jumpers" segment of the 9/11 script.

Calculated to traumatize the f*ck out of TV watchers.

http://www.gelitin.net/projects/b-thing/

Interestingly, @SaiGirl's post references a separate event by an artists' collective Gelatin, performed apparently on the 19 March 2000, around 6AM, where as the earlier video in this thread was by an art group called Eteam, performed on the 31 March 2001. Both apparently took place on the 91st floor, maybe explained away by the following quote in an article in The New York Times on 18 August 2001 - 24 days or 3-weeks-3-days before the towers were gone.
In the spring of 2000, Gelatin and 14 other artists shared free studio space on the 91st floor, where the group's artmaking appeared to consist of building a clubhouse out of cardboard boxes.

This is the full article.
https://www.gelitin.net/uploaded/PDF/B- ... 180801.pdf

Page 0001.jpg
Page 0002.jpg
Page 0003.jpg


And here, a different article that ran after the towers were gone.

https://www.gelitin.net/uploaded/PDF/B- ... Wint01.pdf
If there is any poetry to be culled from all the pain, one slim volume offers a tribute to the monuments that were lost and the potential futures that were smothered in their debris. A modest artists' book in the best sense of the term, The B-Thing (Walther Konig, $35), by the Austrian artists' collective Gelatin, is like a resurrected ghost of the World Trade Center, not in all its capitalist glory, but more profoundly in its elusive symbology of desire: authority and its trespasses. This just-published documentation of a conceptually clever, visually fantastical, and dangerously illegal performance action undertaken by Gelatin in 2000, reveals to an unsuspecting public just what it was these artists did in the course of their official studio residence at the WTC. Understandably, the buildings have taken on an aura of "sacred ground" for many, and the idea that a bunch of foreign artists did this work where so many thousands died may cause some misplaced resentment in those already suspicious of contemporary art's, intentions. What Gelatin did —remove the glass from a ninety-first floor window, suspend a balcony out the window, and stand upon it for ten minutes—was a violation of everything that most imposing of corporate office spaces literally stood for. The piece was not about the transgression itself, however. It was a dream, as personal a dream as any New Yorker has ever entertained. The artists' statement included herein explains the project with a directness and honesty that is typical of Gelatin's work: "The project balcony has been developed from a very strong desire to step outside a window on 91st floor. The balcony is about the feeling you have when you stand on it and about the pleasure you absorb, when being totally dependent on a structure and atmosphere you have created yourself." On September 11, we collectively lost control over the structure and atmosphere of our lives. Perhaps we all need to step outside that window and be suspended by something—call it art or faith—for just a moment. I can say for certain that contemplating The B-Thing has been one of the healthiest, happiest things I've done recently.
Carlo McCormick is senior editor at Paper magazine.
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Re: 911 Prep

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It would seem all of the above is one team, just different names to confuse things. So from that, we can assume they were at their art for over a year?

Here's another ficinating video about nother fascinating video about GELATIN, THE B-THING and THE E-TEAM.


Regarding the B-THING, on one of the boxes on an un-cropped version of a picture from the above New York Times article is the text "BB 18".

ScreenShot-VideoID--fMc50imEI8-TimeS-120.png

Which when looked up is: "BB18 - POWR Busbar Series - Dead Front Fuse Holders Fuse Blocks. Safe distribution of power to multiple fuse holders in a compact design is a key objective for panel designers". And as the video points out, GELATINE is a shortened name for Gelignite.

ScreenShot-VideoID--fMc50imEI8-TimeS-79.png

THE E-TEAM - The Explosives Team maybe?

ScreenShot-VideoID--fMc50imEI8-TimeS-146.png
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Re: 911 Prep

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https://www.gelitin.net/publications/the-b-thing

This is a diagram from the book "THE B-THING", created by Gelitin, published JULY 2001 (Walther Konig, $35).

ScreenShot-VideoID--fMc50imEI8-TimeS-233.png

They really haven't got that scale at all correct for that balcony they built. Silly them, it looks more like a giant hole. The next picture from their book shows the correct scale, taken on said balcony photographed by a man in a helicopter at 6 AM on 19 MARCH 2000.

700_b-thing_open_700.jpg

But it's not like they had, say, ideas of how people might look falling out of the tower and the scale they would look against the outside of it. I mean, people falling out of the tower is clearly the last thing that was on their minds.

ScreenShot-VideoID--fMc50imEI8-TimeS-208.png

...Oh right, from the book, THE B-THING, that they published two months before people were jumping out of the very area of the tower they were photographing. Fancy that.
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Re: 911 Prep

Post by rachel »

Aaron Dover covering some of the same ground.

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