It's The Muppet Show!

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rachel
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Re: It's The Muppet Show!

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This is a shop bought effects lens that mimics the yellowing we see in Jean-Claude Juncker's eyes.

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Like all of this, I work on the balance of probability based on the knowledge I have of what is possible and how well it fits a narrative. The thing with the narrative on this thread, it's far smoother and makes more sense than anything mainstream media has. Their answer to everything now is, "SHUT UP!"

Jean-Claude Juncker v's Klaus Schwab
Jean-Claude Juncker v's Klaus Schwab

I'm pretty sure they are the same person, so we see an artist has used sclera lenses to make the iris smaller and dark brown on Juncker as opposed to Schwab's blue eyes. If you look at Elon Musk, you will see the exact same thing, unusually small irises.

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Such an age free hand on an old haggard face, you'd think they lived in different time zones.
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Re: It's The Muppet Show!

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I don't know much about Morgoth's Review, I've listened to a couple of his monologues and he appears to specialise in movie reviews. He is Northern English and would be classed as part of the culture the "elites" in my country have always tried to mock and destroy. But I think in the context of this thread this is worth sticking up, that and the fact I want to have an excuse to circle back to something he said in his last video I posted. :D

The Matrix Resurrections: The Joke's On Us


"The system will give them their identity."

And talking about that, Morgoth mentioned a 'Benjamin Butterworth' in the last video, I remembered him saying 'Darren Grimes', but the person he was actually going on about was BB, so let's take a look and see if the system indeed gives him his identity...

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Benjamin is a journalist and commentator. He writes regularly on gay rights issues, including interviewing David Cameron and Tony Blair.
Benjamin Butterworth is an English journalist known for his political views regarding gender, sexuality, mandatory COVID-19 vaccines. He is a journalist and media commentator who writes for The Independent, The Guardian, and The Washington Post. Butterworth supports the LGBT community and is gay.
Despite the popularity and admiration, Benjamin Butterworth hasn’t been yet credited with a Wikipedia profile.

He is a British Journalist, Commentator, and TV & Radio News Presenter who works for the magazines Washington Post, Guardian, and The I paper.

Benjamin has also previously worked as a chair of London Young Labour.
GB News host Dan Wootton and columnist Dawn Neesom looked at neighbouring France and their decision to introduce vaccine passports for hospitality and some travel in an attempt to crack down on COVID-19. But while the pair condemned the decision by the French Government - branding it "dystopian" - journalist Benjamin Butterworth thought the idea was a sound one and welcomed anything which could make citizens safer. But hell broke loose after Mr Butterworth stated opponents to the vaccine passports were anti-vax with Mr Wootton and Ms Neesom furiously attacking him for his ignorant views.
Journalist Benjamin Butterworth has told LBC it's definitely selfish" to refuse the Covid vaccine.

Mr Butterworth made the remark while appearing on LBC's Cross Question, in response to a question posed by LBC listener Nick in Dulwich.

Nick asked: "Do the panel agree that people who refuse the vaccine are being selfish because effectively they are dependent upon all the other people who do have the vaccine?"

In response to the question, Mr Butterworth said: "Well, I think it's definitely selfish.

"But the thing that has kind of made me feel ashamed as someone in my 20s is that a third of people in my age bracket still haven't had the vaccine."

He also said he's "ashamed to be a young person at this time" because he thinks "there is a group of people who simply can't be bothered to get it" and "who they think they're not at any serious risk from Covid, which is true" but who "don't want to get it because of that because they seemingly don't care about the effects on the rest of society".
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You know with that introduction he is a SIM, it's beyond tedious actually, and the photo confirms it. Do you see?

This is why these people are big mask freaks, if they have to wear one for their job lying to you, you should most definitely be forced to wear one too, a double whammy because you still have to listen to their verbal diarrhoea.

If you don't see it, look at the size of the top of his head...

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And look at the size and flatness of his irises...

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And of course, if it is a gay man, it's probably a woman in disguise, but that is a hunch based on repeating bullshit rather than actual evidence.

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Hehehe, I just took this grab from a random video of him... As a woman, I like wearing a fitted shirt to work, but I sometimes have an annoying problem. In fact if you asked me, ties were invented and enforced in work because women pretending to be men has this particular problem that was a give away they weren't all they seemed. Looking at old BB here, can you guess what it is?
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Re: It's The Muppet Show!

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https://www.irishtimes.com/business/eco ... -1.4882182
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The World Economic Forum’s 2022 gathering in Davos next week will be “the most timely and consequential” in its 52-year history, its founder, Klaus Schwab, said, as global political and business leaders gather in the Swiss resort town against the backdrop of the war in Ukraine and mounting fears about the outlook for the world economy and climate.

“The return of war, epidemics and the climate crisis, all those disruptive forces have derailed the global recovery,” Mr Schwab, the forum’s executive chairman, told journalists on a virtual briefing on Wednesday, ahead of the convention’s start on Sunday.

“Those issues must be confronted in Davos, and the global food crisis in particular needs our immediate attention.”

The World Economic Forum is 52 years old. Did you know Klaus Schwab is listed as being born on 30 March 1938, making him 84 years old? Do you believe the person we see is 84?

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That would be one reason to use masks, you always have an understudy ready to take the place of your top man, and when he gets too old you permanently replace him with a fresh model. This is of course speculation, but it's all Jesuit Theatre - "The return of war, epidemics and the climate crisis..." - they just want us to believe in it like the way we used to believe in Santa Claus. Interesting actually the Klaus and the Claus and the two S's.

He's clearly based on a Bond villain, and that neck in no way looks human. It's a fair guess that it's that baggy because he's wearing a one-piece and the neck needs to be that wide to fit it over his head.

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Re: It's The Muppet Show!

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I realise in all of this I can be accused of being away with the fairies, but you've got to switch mindsets and look at the point of television shows as being something quite different to what we think. There was a growth of "reality tv" in the 1990s, and looking at a lot of it we could make the accusation that it was all staged for ratings. But instead, if we consider certain character are staged, but others are real, then the true purpose could actually be about filming the interaction between fake and real to see at what point the real catches on, if at all, and if they do, you have reasonable deniability on what you are actually doing. - "We just did that to make it more interesting for the show."

Where I am going with this, under the quote marks of exploring racial issues there seems to be quite a few race-swap reality shows across Europe. In each of these tv scenarios we have people made-up with a different skin colour filmed interacting with real people. We only see the footage they use to make the show, there could be many hours more of it un-broadcast, and if someone clocks they are speaking to someone in make-up/a mask, they have plausible deniability. "I'm not really lying to you, it's for a television show." On the other hand, if no one spots the makeup, then it has passed the reality test and can be used in real life scenarios.

The BBC’s Trading Races ambitiously billed itself as exploring ‘how people’s attitudes and feelings change according to the colour of their or others’ skin’. It took four members of the public, changed their skin colour using prosthetics and makeup, and filmed them spending time in everyday situations as members of a different race.

As well as a wig and makeup, Sofina’s transformation from asian to white required prosthetics to change the shape of her nose and upper lip: a more ambitious transformation to a blue-eyed blonde look was only blocked by her inability to wear contact lenses.

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Re: It's The Muppet Show!

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The before and after...

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The quote from the show says they wanted to give her blue contact lenses to complete the look but her eyes were unable to tolerate them, so her eyes remained brown. I'm not over-egging the pudding when I go on about coloured contact lenses, they are a staple of the deception.

Sofina found wearing the makeup to be very challenging:

I hated mine! It just looked disgusting and nobody should ever have to change their skin colour … For me, I think the bit I enjoyed the most is when I could be myself. I hated it when I was in the makeup as I couldn’t be myself … Seeing my face at the beginning, the first initial look. I just lost all my confidence. It was a big deal for me, I could no longer see myself … I think I could do it again, but it really traumatised me to put that face on. Once I got used to it I’d be fine.
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Re: It's The Muppet Show!

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Part of the same show...
Carolynn’s transformation required makeup, contact lenses and a wig.
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Again a big part of the look is changing her eye colour from blue to brown, and if you watch the earlier INSIDER video on coloured contact lenses then you'll realise their invention is credited to a Reuben Greenspoon in 1939. That's how long coloured contact lenses have been going.

How Carolynn looked after the transformation. Would you guess this is a white woman?

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Re: It's The Muppet Show!

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Black. White. was a reality television show shown in 2006. The series followed two families as over six weeks they traded races and ‘experienced what life is like in the other family’s shoes’. Through prosthetic makeup the white Wurgels were transformed into a black family and the black Sparks became white.

A year later a French version, Dans la peau d’un noir, was screened based on the same concept but focusing on the issues of racism as experienced in France. But again, at least one of the participants, Laurent Richier, was an actor; not only that but he subsequently sued the producers for payment for interpreting a role in manipulated scenarios (ie for acting).
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Re: It's The Muppet Show!

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Would you guess?

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Re: It's The Muppet Show!

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With the credentials of RJ Cutler and Ice Cube behind it this show should have lived up to their claims that it would be provocative and insightful.

I was less than impressed to discover that two of the Wurgel family were in ‘the business’: Bruno Wurgel, described as a teacher on the show, appears on IMDb as Bruno Marcotulli with an acting resume running from 1987 to 2002; Rose Wurgel also as an IMDb entry, as Rose Bloomfield, with a couple of entries; Carmen Wurgel a photographer’s location scout heard about the show ‘from a friend who had a friend who was working on the show’.

Anyone with a brain questions just how ‘real’ is reality TV: these casting choices were for me immensely damaging to its ‘face validity’.

This comment again backs up my hypothesis with regards to what all this race-swap television was actually about; - testing the makeup to see if you can fool the general public for a prolonged period of time in a one-to-one situation. And once you've successfully passed that bar, you can stack the political deck with your candidates. You put down the criteria that "because of sexual and racial diversity" you will only accept black lesbians for the post, and then you supply the only black lesbian in the house no matter what the real sex, sexual orientation or colour of the person in question is....Democracy in action. And any one pointing this out is a RACIST.
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Re: It's The Muppet Show!

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REALITY TV: Black.White.
The makeup application for each family member took three to five hours for every day of the six-weeks' filming - though not everybody was in makeup each day. Unlike other in-your-shoes programmes the makeup had to survive not only short one-off face-to-face encounters but repeated interaction with new friends and acquaintances.

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