PSI FI AND FANTASY

[napoleon]

and that is why i enjoy torturing all the frauds ab talks too, fakeology is a bitch

now consiedering they use dorothy mk ultra method on you americans ,never more blatant than what i show ,is it coincidence that the unofficial sequel to return to oz "the force awakens" dorothy woke up and stole your holiest of holies the millenium fall-con solo-mans temple .................................is it coincidence the joker made a napoleon film .............................

no

viewtopic.php?p=9754&hilit=stolz#p9754

determinism is not timetravel just gullible ape training ,liber oz

[napoleon]

typo should do more morning talks ,if he was abel to get a phone and a headset he could talk from the garden,i thought typo had insight in the first audio i heard him on ,he is a fakeologist make no mistake about that,he also rumbled me before i even said a word on air ,he called me ab's gaurdian angel ,

i'm no angel

[napoleon]

[napoleon]

The Coptic New Year, also known as Nayrouz, is a holiday observed by Coptic Christians (9/11). It marks the start of the Coptic calendar and is a time of reflection, prayer, and remembrance.

kubrick puts all of the 911 info in his poster for 2001 a space odyssey ,we have coptic countries indicating sep11

we have jupiter seal in the form of a space station ,and orion spacecraft

and the fisrt glimpse of the twin towers future as a vehicle for the new millenium,including the plane impacts on the twins matching the stars on the gemini mission ,so we see the heavens on sep11 2001 mirrored with jupiter space station,orion spacecraft,gemini patch including stars,columba is the oculus building

lucas progressed the idea of j tobin plaza becoming a spaceship by putting luke skywalker in the centre of the chamber of reflection ergo standing at the koenig sphere in the middle of the tower complex and looking up,et voila ,that rosicrucian ceremony which birthed the wizard of oz fairystory got recycled for a new millenium,and i have shown you all the future echoes of 911 used in star wars ,,honestly the gap between the audios and the the forum is now so massive ,im not sure any of you can bridge the gap

instead of v.i.t.r.i.o.l. written on the walls of the chamber like traditional rosicrucian ceremony ,,,they blame the rosicrucian fairytail the wizard of oz for 911 and left oz at all 911 sites,but it wasn't a dream it was a real place

as i say some of you need to grow up and understand where you are

The Rosicrucians teach that all great religions have been given to the people among whom they are found, by Divine Intelligences who designed each system of worship to suit the needs of the race or nation to whom it was given. A primitive people cannot respond to a lofty and sublime religion, and vice versa.
What helps one race would hinder another, and in pursuance of the same policy there has been devised a system of soul-unfoldment suited specially to the Western people

not anymore

[napoleon]

you are no fucking use to me if you can't read the blog on air and no fucking use to the fakeologist ,but atleast i got to show ab his endeavour worked ,just sorry he still thinks they are legitimate truthers wasting his time,big shout to cluesforum

[napoleon]

https://en.wikipedia.org/wiki/Flammarion_engraving

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From Wikipedia, the free encyclopedia

A traveller puts his head under the edge of the firmament in the original (1888) printing of the Flammarion wood engraving.
The Flammarion engraving is a wood engraving by an unknown artist, so named because its first documented appearance is in Camille Flammarion's 1888 book L'atmosphère : météorologie populaire ("The Atmosphere: Popular Meteorology").[1] The wood engraving has often, but erroneously, been referred to as a woodcut. It has been used as a metaphorical illustration of either the scientific or the mystical quests for knowledge.

Description
The print depicts a man, clothed in a long robe and carrying a staff, who is at the edge of the Earth, where it meets the sky. He kneels down and passes his head, shoulders, and right arm through the star-studded sky, discovering a marvellous realm of circling clouds, fires and suns beyond the heavens. One of the elements of the cosmic machinery bears a strong resemblance to traditional pictorial representations of the "wheel in the middle of a wheel" described in the visions of the Hebrew prophet Ezekiel. The caption that accompanies the engraving in Flammarion's book reads:
A missionary of the Middle Ages tells that he had found the point where the sky and the Earth touch...[1]

Attribution
In 1957, astronomer Ernst Zinner claimed that the image dated to the German Renaissance, but he was unable to find any version published earlier than 1906.[2] Further investigation, however, revealed that the work was a composite of images characteristic of different historical periods, and that it had been made with a burin, a tool used for wood engraving only since the late 18th century. The image was traced to Flammarion's book by Arthur Beer, an astrophysicist and historian of German science at Cambridge and, independently, by Bruno Weber, the curator of rare books at the Zürich central library.[3]

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Flammarion had been apprenticed at the age of twelve to an engraver in Paris and it is believed that many of the illustrations for his books were engraved from his own drawings, probably under his supervision. Therefore, it is plausible that Flammarion himself created the image, though the evidence for this remains inconclusive. Like most other illustrations in Flammarion's books, the engraving carries no attribution. Although sometimes referred to as a forgery or a hoax, Flammarion does not characterize the engraving as a medieval or renaissance woodcut, and the mistaken interpretation of the engraving as an older work did not occur until after Flammarion's death. The decorative border surrounding the engraving is distinctly non-medieval and it was only by cropping it that the confusion about the historical origins of the image became possible.

According to Bruno Weber and to astronomer Joseph Ashbrook,[4] the depiction of a spherical heavenly vault separating the Earth from an outer realm is similar to the first illustration in Sebastian Münster's Cosmographia of 1544,[5] a book which Flammarion, an ardent bibliophile and book collector, might have owned.

Context in Flammarion's book
In Flammarion's L'atmosphère: météorologie populaire, the image refers to the text on the facing page (p. 162), which also clarifies the author's intent in using it as an illustration:

Whether the sky be clear or cloudy, it always seems to us to have the shape of an elliptic arch; far from having the form of a circular arch, it always seems flattened and depressed above our heads, and gradually to become farther removed toward the horizon. Our ancestors imagined that this blue vault was really what the eye would lead them to believe it to be; but, as Voltaire remarks, this is about as reasonable as if a silk-worm took his web for the limits of the universe. The Greek astronomers represented it as formed of a solid crystal substance; and so recently as Copernicus, a large number of astronomers thought it was as solid as plate-glass. The Latin poets placed the divinities of Olympus and the stately mythological court upon this vault, above the planets and the fixed stars. Previous to the knowledge that the earth was moving in space, and that space is everywhere, theologians had installed the Trinity in the empyrean, the glorified body of Jesus, that of the Virgin Mary, the angelic hierarchy, the saints, and all the heavenly host.... A naïve missionary of the Middle Ages even tells us that, in one of his voyages in search of the terrestrial paradise, he reached the horizon where the earth and the heavens met, and that he discovered a certain point where they were not joined together, and where, by stooping his shoulders, he passed under the roof of the heavens...

Later uses and interpretations

The Flammarion engraving appeared in C. G. Jung's Flying Saucers: A Modern Myth of Things Seen in the Skies (1959). The first color version to be published was made by Roberta Weir and distributed by Berkeley's Print Mint in 1970.[citation needed] That color image spawned most of the modern variations that have followed since.[citation needed] Donovan's 1973 LP, Cosmic Wheels, used an extended black and white version on its inner sleeve (an artist added elements extending the image to fit the proportions of the record jacket). The image also appeared in "The Compleat Astrologer" (pg. 25) by Derek and Julia Parker in 1971. In 1994, 'The Secret Language of Birthdays' by Gary Goldschneider and Joost Elffers was published featuring this image.[16]

The image was reproduced on the title page of the score of Brian Ferneyhough's "Transit: Six Solo Voices and Chamber Orchestra", published by Edition Peters in 1975.

British artist David Oxtoby made a drawing inspired by the Flammarion engraving (Spiritual Pilgrim), showing the face of David Bowie near the drawing's right margin where the Sun should be. David Oxtoby's drawing doesn't show the crawling man at left.[17]

1980s–2000s

The Flammarion engraving appeared on the cover of Daniel J. Boorstin's bestselling history of science The Discoverers, published in 1983. Other books devoted to science that used it as an illustration include The Mathematical Experience (1981) by Philip J. Davis and Reuben Hersh, Matter, Space, and Motion: Theories in Antiquity and Their Sequel (1988) by Richard Sorabji, Paradoxes of Free Will (2002) by Gunther Stent, and Uncentering the Earth: Copernicus and On the Revolutions of the Heavenly Spheres (2006) by William T. Vollmann. Some books devoted to mysticism which have also used the engraving include Love and Law (2001) by Ernest Holmes and Gnosticism: New Light on the Ancient Tradition of Inner Knowing (2002) by Stephan A. Hoeller.

The 1995 book O Jardim das Aflições, by Olavo de Carvalho, reproduces the engraving as an example of Renaissance views on the spiritual world, which it criticizes: "the pilgrim evades the mundane 'sphere', abandoning trees and flowers, Sun and Moon, birds and stars, to penetrate the marvelous kingdom of the spirit, which consists of some miserable gear wheels hidden among cloud wisps. Beautiful exchange!"[18]

2010s
An interpretation of the image was used for the animated sequence about the cosmological vision of Giordano Bruno in the March 9, 2014 premiere of the TV series Cosmos: A Spacetime Odyssey, hosted by the astrophysicist Neil deGrasse Tyson.

In the German-language video series "Von Aristoteles zur Stringtheorie", ("From Aristotle to String Theory"), which is hosted on YouTube and produced by Urknall, Weltall, und das Leben,[19] and features Professor Joseph Gaßner as lecturer, a colored Flammarion engraving was selected as a logo, but the man is peering at a background filled with the important equations of physics.

2020s
More recently in May 2021, an interpretation of the image has featured on a limited edition book release by Yusuf/Cat Stevens.[20]

Niklas Åkerblad also known as El Huervo, in October 2021 released an album titled "Flammarion" in which the cover art for the album depicts an interpretation of the original Flammarion engraving.

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[napoleon]

i never did thank you boys and girls for sending masons and houseclowns into the discord to tell me your limits to truth ,that was so helpful

toys from 911 is where i settled anyway ,i mean how could i pass up the fact that han solo or solo-mans temple was the first two soloman temples and the the twin towers thricefold as per zerubabel prophecy , thus making the millenium fall-con not the millennium falcon
solo-mans temple

and it's just coincidence my new jerusalem smashed the kessel run ,and the new jerusalem the gullible apes were sold on 911 is heading for kesil in orion ,so cheers for that ,
this shit just gets funnier
liber oz

oh and the odds on my kessel run mirroring the 7th day adventists image of kesil and new jerusalem drop to evens when you solve 911 ,it's one thing blaming the wizard of oz for 911,but don't fuck with star wars ,well too late

[napoleon]

remember the orbiting tarts in the blog wasn't happy with me just telling you the end result of 911 .they're the ones that wanted me to spell it out so they can continue spinning plates of appathy and mediocrity ,so i fucking shown ya

told ya were going to oz,deciphered v.i.t.r.i.o.l. and now you see 911 like a true fakeolgist

not only have i made you look at 911 with the correct view ,i have made yo question every fucker you talk or text in the truth community ,so do not blame me for ruining that ohso easy gig of pretending to be fakeologists ,cos all you tarts in the blog with sock accounts or the rednecks that were at fakeolgist before i got here
oz is under new management

my judgement is means nothing to a wage or a pension that some cretins get for patronizing people in blogs,but i have made 911 so easy to solve and use against houseclowns i still laugh at ab's guests and the chaps in the blog ,why so sirius ?

i think the vast amount are backwards for giving up the chance to solve 911 ,i aint coming back to save your asses ,and your masons are scared of the wizard of oz

i think it]#s only rachel that see the irony of rey being dorothy and stealing the millenium fall-con ,which is the same as dorothy waking up back home in bed ,you literally got your arse kicked by a fiction within a fiction inside a metaphor

thats some psilly ass cia shit there

[napoleon]

oh and credit where credit is due ,every fucking person knows what the magic of star wars is

Going back to that original BBC interview, it's clear that she had already identified many of the storytelling elements that would make Star Wars such an enduring classic.

"It's good against evil – it's George's homage to every film that he ever loved," she said. "George (Lucas) loves films and what this film is about is movies. Every scene is in some way reminiscent of a scene in a film that we all loved before, like in High Noon there's a bar sequence, only this time it's with monsters instead of Gary Cooper, and you've got The Wizard of Oz where you have a robot that looks sort of like the Tin Man. You have adventure like Robin Hood, we do swing-acrosses. It could even be like Tarzan, Buck Rogers… It's got everything in it, every ingredient."

only this has an outline narrative of using all the scenes carrie speaks of ,woven together mirroring the temple builder zerubabels vision from metatron ,which is fitting as metatron is solomons cube ,greaseball geometry at the top of the celestial list of sacred deities ,arch angle michael ,enoch ,the voice of god ,metatron ,so wether you think the kabba cube or cross is sacred ,or the 2d metatron the solomons star of david

just remember if your shown the future temple of jerusalem ,by a fella claiming to be the voice of god it's probably george "metatron" lucas,kubrick called lucas the new ozma dontcha know

sorry i digress ,we know how luke mirrors ozma bin ladens bio ,caveboy comes good despite losing his guardians ,leads the rebels to victory .you see the 911 i see is a beautiful trick ,that should be held aloft if only to embarrass the current shower of shite i have to stomach

[napoleon]

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